Writer Retreat

So, this weekend was the weekend of my self-proclaimed writer's retreat. How'd it go? Well, first a smattering of eye candy...
My room

My writing space.


This is only one of the many porches, shot through a door.

A sad, lonely Gargoyle, waiting for someone...

The Penthouse for birds


If we wear fur coats, trees wear ivy coats. Oh, yes, darling, you look smashing!

I always thought these trees look like a paint-by-number.
In case you're wondering... It is a Sycamore or also known as a London Plane Trees. (But they're quite fancy... hahaha)

Where to begin... Well, first of all going away, being out of my element, opened my eyes to things I hadn't considered. When I am home, I am distracted, as previously posted, and I don't think I saw things in my own writing, quite as clearly.

The Retreat...

My First Revelation...
The first day I got to my B&B, I read the pages previously written and it was as if someone had handed me a special pair of writer's glasses where mistakes were now glaringly obvious. At first, what struck me was how much I told in my story instead of showed. Now, I thought I was aware of this before, but for some reason, it was so obvious when I was away -- all the mistakes I had made and hadn't even seen them before.

Maybe it was so obvious because I had put my novel aside for a number of months and read it fresh. Maybe it was because I was away and out of my element and so I was able to see it through fresh eyes. Maybe it was a little of both. But, whatever the reason, I was so taken back when I read my pages and saw these mistakes. At first I was discouraged. But don't worry - that didn't last too long.

My Second Revelation...
I hated the pacing! Hated it! I was told once, very early on, that I had to quicken the pacing. And perhaps I did, but I misunderstood I think exactly what that meant. I thought, then, that it meant, I needed to bring the fantasy element right upfront. But now I realize that is not necessarily so. I realize now, that it means to hint about the fantasy element right away, to show it little by little, to tease the reader with foreshadowing so they can guess what the fantasy element is and lead them to the REVEAL where they will then feel like, Yes! I knew that's what it was!

My story is considered low fantasy - like ghost stories - it takes place here in our world, with our strengths and weaknesses and our beings... But, there is that fantasy element in my story.

So, I slowed the pacing but added hints about the fantasy and made the hints grow, and grow, and grow, until the reveal -- which makes it actually feel quicker paced, even though, in reality it slowed the reveal down. I learned that quickening the pace doesn't mean a sudden thrust into the REVEAL. Of course in a high fantasy novel, the fantasy element should be right up front, but again, you should still take time getting to the reveal. And if the reveal IS your fantasy element, then I like the slow hints along the way, slowly building and building. So, I turned up the sound a notch or two on my subtle references and painted with a few brighter shades...

My Third Revelation...
I realized in order to slow down the pacing, but make it still engaging, I would need new chapters in the beginning of the book, so, I would need to change my intention for the weekend....

My original intention was to turn out new pages, but seeing these two glaring mistakes (telling vs showing and pacing...), made me re-think these intentions.

Instead, I went back to outlining. UGH! But this time, it was a real, bon-a-fide outline. I outlined and wrote very detailed summaries for three new chapter, re-organized two subsequent chapters, and completely, and I mean completely, changed the reveal. And you know what? I love it!

At first, yes, it was very hard to see that my work was not on paper as it was in my head. But then I got over that fast and got straight to work. I have to say, the brainstorming and outlining process, for me, is exhausting! I took a three hour nap on Saturday and woke saying, Oh No! I completely forgot to put this in the outline for chapter four... so, even when I slept, I was writing, and outlining, and organizing...

The Outcome...
I was definitely ready to come home, and I am a little disappointed that I can't say I typed the words, THE END, but I am happy. I know I am on the right path now and in a much better place, especially that my new prescription for writer's lenses has been upgraded - and I owe that to the 20 books I read this year and the writer's groups and conferences I attended (and still attend...).

In the end, I didn't write new pages, and I am still sticking to outlining, but I'm OK with that. I am not going to rush this process. It takes time to write a novel, especially your first one - so I hear - so back to the drawing board and that's OK.

The Outline
Here is the outlining format I used for each chapter, old and new...

Chapter Number; Chapter Title
Characters We Meet: Here, obviously, I listed all the characters who appear in each chapter. But I did not forget to mention the ones that also came in dreams or visions. That's still an appearance, after all...

Tristan’s Goal: This is my MC. I write here what her goal of this chapter is. Sometimes a goal can also be trying to avoid doing something.

My Goal: This is where I listed what my goals, as the writer, were. For example, show a relationship growing together, show a relationship growing apart, introduce a new character, etc...

Conflict/Obstacles: What is the MC's conflict or obstacle in this chapter? What is getting in the way of her reaching her goal?

Arc: What is the MC's mini arc for this chapter? There should be a larger arc that is resolved at the end of your story, but I believe each chapter should strive to have a mini arc within. So, I try to have my MC start a chapter one way but end another way, which leads to...

Disaster: The disaster of the chapter, I usually have towards the end of the chapter so it can leads to...

Cliff Hanger of Chapter: ... the unanswered question of this chapter actually takes me to the next chapter where it might be answered and then another disaster leads to another mini cliff hanger, leads to the next chapter, and so on...

Anything foreshadowed: I love foreshadowing. I think foreshadowing is what engages a reader. I think it is important to answer some foreshadowing a long the way to make the reader feel successful, like they're so smart, and leave the bigger foreshadowing to be resolved in the end. So, I need to keep track of everything that either is, or can be, considered foreshadowing.

Fantasy in the Chapter: I need to keep track of the fantasy element - Was it hinted upon? Was it the reveal? Was it used in one way or another? Was something new learned about it??

Any props in chapter:Props are a huge part of foreshadowing, in my opinion. Some items mentioned early on, can be used later as an AHA! object... So, I keep a list of all of these.

!Misc Notes:This was a very important part for the chapters I had already written. It was where I would write things like... UGH! This chapter told and didn't show nearly enough. Or... be sure in the second draft to add such and such to this chapter. Or... be sure in the second draft to delete, or change, or... You get the idea.

Chapter Summary: Obviously, this speaks for itself. But for the new chapters, that I hadn't written yet, this section was quite long and detailed. I would write the whole chapter summary from beginning, middle, end, include dialogue, and props, mini arcs, foreshadowing, the conflict, the disaster, and the cliff hanger ending. For chapters that were already written, I simply told a brief synopsis, since I can just read the chapter or the above info for more details.


I have to say, some of these outlining elements I learned from reading your blogs. So, I have to thank you, to all of you for sharing your methods, ideas, and thoughts. It is what lead me to my version of an outline.

How does your outlining method differ? How is it the same?